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I’ll continue to create designs for 7" singles like 1167 and 1169, but I am no longer able to find the frames I have been using. If anyone wants a print of that size, the framing will be different and (unfortunately) more expensive. Thankfully, 12" frames continue to...

1164 is based on the cover of Hotel Talleyrand by Paul Hyde Bonner (Bantam A1405, 1955). 1165 is from Fantastic Adventures (June 1940), though I put a hat-tip in the text to Weird Tales. 1166 is from Thrilling Wonder Stories (Fall 1945): another Earle Bergey painting,...

Repurposing the great Earle Bergey from Future Science Fiction (July 1950) for #1162, and from Startling Stories (March 1949) for #1163.

I’m still enjoying repurposing the primal trope energy of old pulp images (this one from Super Science Stories, February 1942) and the rhythms of monospaced fonts in grids.

The latest releases.

The latest four, numbers 1150-1153. Numbers 1151 and 1152 use images generated by Craiyon.com.

Creating this website, materializing 50 of the covers, and doing the show took effort away from creating covers, but recently I’ve gotten back to them. Here are the latest eight, numbers 1142-1149.

My friend and co-author R. U. Sirius has a new collection of unrecorded song lyrics, and asked me to create a fake album cover for it. Original painting by Virgil Finlay.

Four Undated Records are now NFTs and available for purchase at FabriikX.com, a new NFT marketplace. Delusion Engine by Obvious Bots What Everyone Knows But Can't Say by Basic Hats World Madness by Alien Megastructure Reified by Merciless Wench Each NFT is $50...

All 50 of the initial prints are now on display at The Flying Pig Bistro & Pub.The opening reception is tomorrow. All are welcome!

(San Francisco – October 25, 2021) Undated Records is an imaginary indie record label. It consists of an ongoing series of life-size covers (7.25" or 12.5" square) for singles, maxi-singles, and extended play mini-albums (E.P.s) by imaginary bands. This unusual and...

I’ve been making these covers for six years. So far, only friends have seen them. Now, I'm making them public, making prints, and putting some on display at the Flying Pig Bistro & Pub in San Francisco. Coming in November: an opening reception there.